Metropoli, 2019 Instantanea, old KODAK factory Guadalajara, Jalisco, Mex curated by Geovana Ibarra
El castillo de los ladrillos rotos, 2019
exhibition view Guadalajara 90210, Mexico City, Mexico
Untitled, 2019
sheetrock, concrete, pastel pencil, used t-shirts, leather gloves, steel, inkjet, print transfer to sheetrock, paint
variable dimensions
Untitled, 2019
pastel pencil, sheetrock, paint, inkjet print transfer to sheetrock
122 x 144 cm, 48″ x 56.6″
Untitled, 2019
concrete, used t-shirt
variable dimensions
El castillo de los ladrillos rotos, 2019
exhibition view, Guadalajara 90210, México City, México
Estructuras de la razón, 2019
exhibition view, Pivô, São Paulo, Brazil
Untitled, 2019
steel, concrete, fabric, plastic
167 x 30 cm, 65.7″ x 12″
Untitled, 2019
found cardboard, paint, tape
101 x 89 cm, 40″ x 35″
Untitled, 2019
found cardboar,, paint, tape magazine cut out found bag, coin
43 x 38 cm,17″ x 15″
Casa Wabi, 2019
Puerto Escondido, Oaxaca, México
Casa Wabi, 2019
Puerto Escondido, Oaxaca, México
Yo destruyo porque, en mi, todo cuanto proviene de la razón no se sostiene. Ya no creo sino en la evidencia de lo que agita mis medulas, no de lo que se dirige a mi razón, 2019 clay, wood, charcoal on paper, paint, mezcal bottle, concrete
Prima Matera, 2018
exhibition view Gardiner, New York
Into the Woods, 2018
concrete, in situ installation
Black Palace Dancing Club Mexico City, 2018
a collaborative project by Adrián S. Bará and Ricardo Gónzalez
Untitled, 2018
acrylic on cardboard and canvas
220 x 140 cm 86.6″ x 55″
Untitled, 2018
acrylic on cardboard and canvas
220 x 140 cm, 86.6″ x 55″
Art Center South Florida, Miami Beach, FL
Walgreens storefront , 2017
curated by Rachael Rakes
Untitled (from the series Estructurás de la Razón), 2017
digital prints, paint
Johannes Vogt Gallery, 2017 New York, NY
exhibition view
Lo real es aquello a lo que no hay que ceder, 2017